मेरे गीत और ग़ज़लें
The book is transcribed on a floral reading page — scroll and zoom. No PDF is hosted, so the site stays light on Netlify credits.
Why so many songs are for Shyam
Krishna is not a subject here. He is the listener. On writing bhajans after midnight, and why the name “Shyam” keeps returning.
From 3D studio to recording booth
How a modeller’s eye for light, cloth and silence found its way into arrangements, pacing, and the way a song is allowed to end.
How a line arrives after midnight
Arrival is easy in daylight. Absence needs the clock to stop being useful.
One question the songs keep asking
Why come if you would not stay — said three different ways.
Eleven years old, already singing
The later names are only rooms built around that first habit.